Another interest or hobby of mine is theatre. I have no idea why I enjoy it as much as I do. I have a vague recollection of seeing Joseph and the Amazing Technicolour Dreamcoat as a child and listening to an old cassette of The Phantom of the Opera but it wasn’t until I saw The Phantom of the Opera in 2003 that I truly fell in love with musical theatre. After that I fell in love with many shows including Les Misérables and La Cage aux Folles and gained an interest in foreign casts and show such as Elisabeth and Tanz der Vampire, I’ll go into that more later.
From the moment I walked into the opulent theatre that is Her Majesty’s I fell in love with The Phantom of the Opera. It somehow struck a chord with me, all of it. The story - a copy of the classic Beauty and the Beast tale, where the beast battles a handsome hero for the affections of a pretty young lady. Unfortunately losing this time. The score seduced me right away, I had almost grown up listening to Phantom on cassette but live it blew me away from the overture that induces goose bumps and the hair on your arms to stick up to the lush lullaby of an etr’acte, it is all splendid and rich, full of vibrancy. I could listen to it 24/7 and not get fed up. The score is complemented perfectly by the gorgeous sets and costumes, painstakingly crafted by Maria Bjornson. She left a lasting legacy befitting a a sadly departed talent like hers. The final piece of this jigsaw is the cast, Phantom was ruined for me because when I saw it for the first time, at the time, I had the honour of seeing John Owen-Jones in the title role, what a performer. He captured my imagination like never before and I will always remember my first time, he has since reprised the role and I hope to catch him at some point. He set the standard for the Phantoms I have seen and thus far he has yet to be exceeded. The rest of the cast were superb but he stood out to me. I do not care too much about the rest of the cast I am a Phantom fan (or Phan) through and through.
My other musical love is Les Misérables, I had the pleasure of seeing it as part of a school trip in conjunction with our French and Music departments. I enjoyed it the first time I saw it, I was vaguely familiar with bits of it after watching the Tenth Anniversary Concert on VHS in school. I would’ve enjoyed it more had I not been on a school trip and being amongst my friends we were not giving the show our full attention and were messing about a little in the stalls. Since that first time I have been back to see the show numerous times and enjoyed each, the show touches on many facets which I can relate to and it really is an emotional roller coaster. It inspired me to read, I have since read an unabridged copy of the novel by Victor Hugo and it took some reading but I understand the show better now and appreciate it a lot more. It is brilliant and I am sure Victor Hugo would be pleased of the show, given the novel is 1400+ pages long, the musical is a superb adaptation and captures the emotion of the novel.
After falling for these two shows I branched out and picked up copies of foreign cast albums of both like the Swedish cast of Phantom and Vienesse Les Misérables. I enjoy hearing the shows in langauges other than English, it opens your eyes to new performers I would otherwise have not had the pleasure of hearing. Subsequently I found myself drawn to foreign theatre, German language shows in particular, my first foray besides Phantom and Les Mis was Tanz der Vampire. It is a show based on Vampires as the title alludes to, it is a rather comedic show and rather different in terms of score compared to Phantom and Les Mis. The score was provided for by Jim Steinman and has a few of his hits with artists such as Meat Loaf repackaged in the show, Die Unstillbare Gier uses the tune from ‘Objects in the Rearview Mirror My Appear Closer Than They Are’ and Totale Finsternis seems a direct translation of ‘Total Eclipse of the Heart’. It is a glorious show with the brilliant Graf von Krolock, bumbling Professor Abronsius and beautiful Sarah, how peasants give birth to drop dead gorgeous daughters I will never know.
Tanz spawned my interest in German theatre, I do not understand German entirely but that doesn’t spoil my enjoyment of the shows. I have sampled most and found myself enjoying Elisabeth, Ludwig², Rudolf and lately Rebecca. I live in hope that the forthcoming West End production of Rebecca will mean some of my favourites will come over here as well. I would love to hear them in English. Only qualm is I do not want them to alter much from the German versions like the huge Broadway flop that was Dance of the Vampires.
My interest in theatre is not only contained in listening and seeing shows, I do collect memerobilia and autographs of my favourite performers. I have the signatures of some of my favourites like Michael Crawford, Colm Wilkinson, Philip Quast, Howard McGillin, Patti LuPone to name a few. I loved searching ebay and finding an old brochure and snapping it up cheap as chips. I was fairly lucky with my buys, I had one big box lot for £30 which contained 8 brochures and 4 programmes. Four complete original and replacement casts of Phantom from 1986-88 and four rare brochures from Basle, Far East Tour, Hamburg and Vienna.
Sadly my enthusiasm for it has waned lately and I haven’t gone as often as I should or would like, I usually find something occurs at home which either prevents me from going or puts a dampener on my intended trip. Perhaps this year I may drag myself to see an old favourite or perhaps discover a new one.